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Vensters
This is the name of a number of paintings, thirteen in total, that forms a unity in which the creation of heaven, earth and its impact are imagined archetypically. The paintings are larded with Greek myth, Christianity, philosophy and holy geometry.
1. The Cross
2,3. Refer to the Crucifixion
4. Refers to the travel of Myth to Logos
5,6. Refer to the Fall of Man
7. The Fall of Man
8,9. Refer to the Fall of Man
10. Refers to the travel of Logos to Myth
11,12. Refer to the Church
13. The Church
ad. 4
Science develops progressively. What initially was myth has become logos. Earth was flat and is round now, even for the religious ones.
ad. 10
Politics and ethics on the other hand tends to the recurrence of the errors from the past. In that sense we do not develop, but seem caught in sine shaped movement of relentless repetition. From secularization to theocracies, from logos to myth.
Everything in the work of art seems in terms of science and mathematics explicable, even the use of color. Nevertheless the work has rather grown to what it has become now, then painted in a premeditated way. The paintings rather evolved during 27 months in the period 2006 – 2008. You can give your own interpretation and you will discover. Nothing is what it seems.
13 paintings: 81 canvasses and 9 panels 9×9+9
Vensters
This is the name of a number of paintings, thirteen in total, that forms a unity in which the creation of heaven, earth and its impact are imagined archetypically. The paintings are larded with Greek myth, Christianity, philosophy and holy geometry.
1. The Cross
2,3. Refer to the Crucifixion
4. Refers to the travel of Myth to Logos
5,6. Refer to the Fall of Man
7. The Fall of Man
8,9. Refer to the Fall of Man
10. Refers to the travel of Logos to Myth
11,12. Refer to the Church
13. The Church
ad. 4
Science develops progressively. What initially was myth has become logos. Earth was flat and is round now, even for the religious ones.
ad. 10
Politics and ethics on the other hand tends to the recurrence of the errors from the past. In that sense we do not develop, but seem caught in sine shaped movement of relentless repetition. From secularization to theocracies, from logos to myth.
Everything in the work of art seems in terms of science and mathematics explicable, even the use of color. Nevertheless the work has rather grown to what it has become now, then painted in a premeditated way. The paintings rather evolved during 27 months in the period 2006 – 2008. You can give your own interpretation and you will discover. Nothing is what it seems.
13 paintings: 81 canvasses and 9 panels 9×9+9