WHAT THE F***
2016 - 2020
WHAT THE FUCK HAPPENED TO MY
COVER?
(2.20 x 1.60m)
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Holy wreath, the last human will, nimbus flower of life.
The painting:
The last human, after which life will blend with an algorithm. Zeros and ones stand for computer language. Our brain is being hacked, we are being brainwashed and dictated by algorithms in the worst case scenario.
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Holy wreath, the last human will, nimbus flower of life.
The painting:
The last human, after which life will blend with an algorithm. Zeros and ones stand for computer language. Our brain is being hacked, we are being brainwashed and dictated by algorithms in the worst case scenario.
WHAT THE FUCK I AM BIO HACKED.
(1.00 x 2.20m)
Materials: Oil on canvas.
Symbolism: From centaur to half human, half cyber.
The painting:
Technique is welcomed, but eventually the user ends up with a chip in his body which can control his or her actions. In a sense, we evolve our own evolution.
Materials: Oil on canvas.
Symbolism: From centaur to half human, half cyber.
The painting:
Technique is welcomed, but eventually the user ends up with a chip in his body which can control his or her actions. In a sense, we evolve our own evolution.
WHAT THE FUCK HAPPENED TO MY RATIO?
(2.20 x 1.60m)
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Fibonacci spiral that depicts the ratios in nature, from a tree to a human being.
The painting:
Around the year 1200, Leonardo Fibonacci, an Italian mathematician, discovered a simple sequence of numbers from which ratios arise.
The sequence of numbers: 1 1 2 3 5 8 13… ∞
For example: Ratio 8: 13
The series of numbers will eventually approach the mathematical ratio
1: 1,618
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Fibonacci spiral that depicts the ratios in nature, from a tree to a human being.
The painting:
Around the year 1200, Leonardo Fibonacci, an Italian mathematician, discovered a simple sequence of numbers from which ratios arise.
The sequence of numbers: 1 1 2 3 5 8 13… ∞
For example: Ratio 8: 13
The series of numbers will eventually approach the mathematical ratio
1: 1,618
WHAT THE FUCK MOLLY THE CITY IS SINKING.
(2.20 x 1.50m)
Materials: Oil, bone glue and chalk on canvas.
Symbolism: An allegory of old sinking cities. Everything comes and goes.
The painting:
The water level is rising. Ancient cities will crumble and perish, while he is on his way to his favorite pub with his dog Molly. Thinking after me the flood.
Materials: Oil, bone glue and chalk on canvas.
Symbolism: An allegory of old sinking cities. Everything comes and goes.
The painting:
The water level is rising. Ancient cities will crumble and perish, while he is on his way to his favorite pub with his dog Molly. Thinking after me the flood.
WHAT THE FUCK AM I DOING IN THE COAT OF DOGE LOREDAN?
(2.00 x 0.60m / 2.00 x 1.20m)
WHAT THE FUCK AM I DOING IN THE COAT OF DOGE LOREDAN?
(2.00 x 0.60m / 2.00 x 1.20m)
Materials: Oil on canvas.
Symbolism: In those days opium was quite common.
The painting:
Chinese woman with an opium pipe. She wonders what she is doing in the coat of Doge Loredan. Breaking through a dogma in the 16th century (portrait ¾ shown). Nevertheless, she is on opium so anything can happen.
Doge Loredan was the Doge of Venice, in the Doge’s palace of regents.
Materials: Oil on canvas.
Symbolism: In those days opium was quite common.
The painting:
Chinese woman with an opium pipe. She wonders what she is doing in the coat of Doge Loredan. Breaking through a dogma in the 16th century (portrait ¾ shown). Nevertheless, she is on opium so anything can happen.
Doge Loredan was the Doge of Venice, in the Doge’s palace of regents.
WHAT THE FUCK ARE YOU LOOKING AT?
WELL, THE COWS ARE LOOKING AT YOU, STARING AT HER ASS.
(2.00 x 1.00m)
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Aren’t we all voyeurs.
The painting:
Nothing is as it seems.
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Aren’t we all voyeurs.
The painting:
Nothing is as it seems.
WHAT THE FUCK AM I DOING IN THIS PAINTING? (2.20 x 3.00m)
Materials: Oil on canvas.
Symbolism: Wondering about who we are all together. Feeling like you are placed somewhere. What am I doing here and now, then and there…?
The painting:
Figures from favorite paintings, which date from completely different times, brought together in this painting. Paintings from the 17th to the 20th century on one canvas.
From left to right:
– Georges Seurat (1859-1891), boy
– William Stott (1857-1900), girl
– Valentin de Boulogne (1594-1632), boy in the grass
– Pierrot van Jean-Antoine Watteau (1684-1721), a circus performer
– Rembrandt van Rijn (1606-1669), in the boat
– Sir John Everett Millais (1829-1896), two girls and the boy
– Pierre Puvis de Chavannes (1824 – 1898), women bathing
Materials: Oil on canvas.
Symbolism: Wondering about who we are all together. Feeling like you are placed somewhere. What am I doing here and now, then and there…?
The painting:
Figures from favorite paintings, which date from completely different times, brought together in this painting. Paintings from the 17th to the 20th century on one canvas.
From left to right:
– Georges Seurat (1859-1891), boy
– William Stott (1857-1900), girl
– Valentin de Boulogne (1594-1632), boy in the grass
– Pierrot van Jean-Antoine Watteau (1684-1721), a circus performer
– Rembrandt van Rijn (1606-1669), in the boat
– Sir John Everett Millais (1829-1896), two girls and the boy
– Pierre Puvis de Chavannes (1824 – 1898), women bathing
WHAT THE FUCK I SHOOT MY OWN DINNER.
(Diameter 1.06m)
Materials: Oil on oakwood.
Symbolism: Equality.
The painting:
Suffragette, I will look after myself.
Materials: Oil on oakwood.
Symbolism: Equality.
The painting:
Suffragette, I will look after myself.
WHAT THE FUCK I AM NOT BACCHUS?
(1.20 x 1.20m)
Materials: Oil on canvas.
Symbolism: Looking in the mirror.
The painting:
What you see is a piece from the area of the painting ‘Bacchus’ by Caravaggio (his painting depicts the Greek and Roman god Bacchus – 1596).
A parody of classic works. Flora appears out of the blue from the Greek mythology just like Bacchus. Flora is dressed up like Bacchus.
Materials: Oil on canvas.
Symbolism: Looking in the mirror.
The painting:
What you see is a piece from the area of the painting ‘Bacchus’ by Caravaggio (his painting depicts the Greek and Roman god Bacchus – 1596).
A parody of classic works. Flora appears out of the blue from the Greek mythology just like Bacchus. Flora is dressed up like Bacchus.
WHAT THE FUCK THERE IS SOMETHING WRONG WITH MY SKIRT... AND WHAT IS KEEPING THE KNIFE THROWER ANYWAY? (1.62 x 1.00m)
Materials: Oil on canvas.
Symbolism: Depicting a bohemian lifestyle in an obscure establishment.
The painting:
The stage is ready but the knife thrower, necessary for the act, shines through absence. And now the crew is filling up time because of the audience.
Materials: Oil on canvas.
Symbolism: Depicting a bohemian lifestyle in an obscure establishment.
The painting:
The stage is ready but the knife thrower, necessary for the act, shines through absence. And now the crew is filling up time because of the audience.
What the fuck happened to my cover?
(220 x 160 cm)
Materials: Oil, bone glue and chalk on canvas.
Symbolism: Holy wreath, the last human will, nimbus flower of life.
The painting:
The last human, after which life will blend with an algorithm. Zeros and ones stand for computer language. Our brain is being hacked, we are being brainwashed and dictated by algorithms in the worst case scenario.
What the fuck am I doing in the coat of Doge Loredan?
(200 x 60 cm / 200 x 120 cm)
Materials: Oil on canvas.
Symbolism: In those days opium was quite common.
The painting:
Chinese woman with an opium pipe. She wonders what she is doing in the coat of Doge Loredan. Breaking through a dogma in the 16th century (portrait ¾ shown). Nevertheless, she is on opium so anything can happen.
Doge Loredan was the Doge of Venice, in the Doge’s palace of regents.